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From all of us at Mighty Imaging, thank you for your business in 2008! We would like to extend our best wishes for a peaceful and prosperous New Year. We look forward to fulfilling your printing needs in 2009.
Big Prints. Huge Quality. Gigantic Value.
When it comes to big images, size matters.
This month marks the first official start of Winter -- how appropriate that images of polar bears and stark landscapes will grace the walls of the visitor center gallery at Boyce Thompson Arboretum during January. Pinal County resident and professional photographer Timm Chapman will be featured with a solo exhibition, and he'll also teach a class January 17 for a dozen pre-registered students.
"The Arboretum show will feature a variety of my images including shots from the Lords of the Arctic series which captures the great Polar Bear on the tundra of Northern Canada," said Chapman, whose photography manages to encompass dramatic landscapes -- and also intimate spaces.
High on Blei
Tony Blei of Tony Blei Photography has been in business for three years, but he's actually been photographing people for more than 20. Tony previously was a photojournalist, and he says that experience helped to shape his creativity.
"There's a beauty to photojournalism that often gets missed. The beauty is that you have a steady stream of people to photograph, but very little time to plan. It requires that you think on your feet and be creative," Tony says. "Photojournalists are incredibly creative people who have to solve huge problems on a moment's notice - with no budget."
..."I'll run through walls for my clients. I do whatever it takes to get them what they need. Period." Tony says, "I see my photography as an investment for my clients. The pictures they're hiring me to produce will be used to attract business or sell their products. They deserve a high return on their investment."
When he was a young photographer, Tony photographed an author. "I don't remember his name, but I remember the lesson he taught me: Unless you're at the J.C. Penny Portrait Studio, nobody wants their picture to look like everyone else's. I ended up putting a computer keyboard in the author's hands and posed him as if he were a rock star playing lead guitar. It was great! We each ended up with a picture we loved, and I ended up with a lesson that served me well for more than 20 years."
Living in the western United States I am always surrounded by breathtaking images, just waiting to be photographed. I also have the opportunity to travel and take pictures in places I never dreamed I would visit. I spent several weeks in Australia, photographing the big cities and small towns, the seashores and the rainforests that are brimming with some of the most awe-inspiring images I have ever seen.
I was raised in a very big city and have lived in some very small, remote rural towns.These experiences give me a deep appreciation for the variety the world offers and my photographs reflect that variety. My galleries are filled with pictures of sweeping vistas of unspoiled wide-open spaces, as well as close-up photos of nature's most delicate handiwork. You'll find images taken in some of the world's great cities, along with photographs that capture the uniqueness of tiny towns in out-of-the-way places, and pictures of wide spots in the road where abandoned buildings silently hint at their history.
Do you want peas with your Picasso? -Celine Chen
Her works, the Vegetable museum series, are on show at the Paris Beijing Photo Gallery in the 798 art district from November 23, 2008 until January 24, 2009.
Mixing everyday vegetables such as tofu, cabbage, ginger, lotus roots, coriander and sweet potato, and adding a dash of digital manipulation, Ju presents a puzzling series of vegetable compositions representing world famous paintings like the Mona Lisa and The Last Supper by Leonard Da Vinci, The Dream by Pablo Picasso and Marilyn Monroe by Andy Warhol.
"In the summer of 2006, I bought a few kilograms of peas, and sat there quietly for two days peeling them, before stringing them on a wire and turning them into a skirt, a top, a headdress and a magic wand. I used a remote control to take a photo of myself in them, and named it Pea Beauty Pageant. That was my first work of vegetable art," Ju Duoqi said, recalling her first vegetable composition.
She began to find vegetables, normally associated with household drudgery, more and more interesting. The different types, shapes and colors of the vegetables, with a bit of rearranging, can make for a rich source of imagery. Fresh, withered, rotting, dried, pickled, boiled, fried, they all come out different.
Then she realized that as a photographer, she no longer needed models – she arranged her legumes and took photos of them. "I have found a way of life for women who love the home," Ju said, explaining the theme of her works. Anne Cooper Chen, an American visitor, commented, "These carry a great sense of humor."
Art museum galleries reinstalled - Richard Nilsen
The Phoenix Art Museum has reinstalled its contemporary galleries in the first-floor Katz Wing with a series of "mini-shows."
The large paintings and photographs from the museum's collection, with some loans from some local collectors make this 5-part installation a must-see.
Third gallery features monumental photographs. Unlike the snapshots you are used to, these photos are wall-sized. German artistThomas Struth is the king of this genre. This is his "Pergamon Museum, Berlin" from 2001. Notice how in the gallery it takes up a good chunk of wall. These giant photos are something of a current fad.
Another giant photo is Candida Hofer's "Palacio Nacional de Ajuda Lisboa VII" from 2005. The genre favors images of large public spaces and incredibly sharp detail, so your eye can wander through them, fixing on this or that.
Another large photo is Gregory Crewdson's "Untitled (House on the Road)" from 2002. Although it is a photo, the subject is oddly mysterious and unreal. What is that house doing on that street?
The artistic components of color, form and composition dominate his images, which combine Arizona’s natural beauty with the height of computer technology. As the volcanoes imposed their magnificence in the midst of modern life in the busy city of Puebla, home of his youth, so does René Payán propose to blend the natural beauty of the Arizona desert with the image making methods available through high tech design. The result is over 300 virtual landscapes inspired by the awesome vistas of our amazing Arizona countryside and desert.
10 Tips for Taking Better Cameraphone Photos:
Middletown, CT— Wireless Zone reports that cameraphones are increasingly becoming the picture-taking device of choice. According to a recently published study, the company says about 1 in 5 consumers already use a cameraphone as their primary camera.
Mark Asnes, vice president and COO of Wireless Zone (wirelesszone.com), shared some wireless wisdom that can help consumers take better cameraphone pictures.
1. Good lighting is key. The ideal is natural light, but you can still get good results inside by turning on a few lights.
2. Adjust the white balance. Select your setting based on the type of lighting. If the lighting is mixed, stick with the auto setting.
3. Just say no to digital zoom. The picture quality will be reduced drastically. Optical zoom is OK if the phone has it.
4. Get ready for your close-up. In place of digital zoom, get the cameraphone closer to whatever you’re taking a picture of.
5. Stay very, very still. To prevent blurring, hold the cameraphone with both hands and brace your arms against your sides or lean your elbows on a stable object.
6. Get accustomed to the shutter lag. For better timing, get a feel for how long it takes between the moment you press the button and the moment the picture is captured.
7. Don’t get trigger-happy with the delete button. An image that looks grainy on your phone could look just fine on your computer screen.
8. A clean lens takes clean pictures. Use a glasses or lens cleaning cloth to avoid scratching the lens.
9. Turn up the resolution unless the sole purpose is for picture messaging.
10. If at first you don’t succeed . . . just keep experimenting with different angles, lighting and settings.
Jeffrey Welcker native to Arizona has been photographing "the Desert Rocks" in the North Scottsdale and surrounding areas for close to a decade. The project started out as an attempt to capture the desert before it would no longer be accessible. Shooting in the Monsoons, the heat and the Chill of a desert snow. The results are, vibrant color photographs of sculpted granite, printed on metallics, that stir the imagination and bring out the desert mystic.
Clients and friends: The Photographers at 124 W McDowell Rd
(Dan Vermillion, Mark Peterman, Nicky Hedayat-Zadeh and Jesse Rieser)
would like to invite you to a Studio Party on Friday night November 21, 2008.
Festivities will begin around 5pm with food, drink and music. We hope to see you here. Feel free to bring co-workers who want to start the weekend on a good note, drop by after work or come by a bit later.
Last August when we were in Salt Lake City we were introduced to Shalee Cooper, the curator for Saans Gallery. In the course of the conversation I mentioned that I had a new portfolio of prints from the US Route 89 project. Her response was enthusiastic and we immediately started planning for the show.
As of October 17th, it is a reality. There are twelve limited-edition prints now hanging in the Saans Gallery as well as a group of smaller prints of scenes on the highway. The opening was held during the monthly Salt Lake City Gallery Stroll. I had a good time meeting people and talking about our travels on the highway. One of the gallery strollers even joined the US Route 89 Appreciation Society.
Our classes are designed for photographers, but are not limited to photographers. They are open to all who need to learn how to incorporate the power of this amazing software into their creative process.
- All of our classes are designed to meet the needs of photographers, both professional and amateur.
- Each class is designed to introduce students to key features of the program that can benefit both their creativity and productivity.
- Students learn at their own Visualville computer . In person instruction is supported by a class workbook of step by step exercises, and real world example images.
MacBook vs MacBook Pro: Hardcore Graphics Death Match
Here they are, the MacBook and MacBook Pro graphics benchmarks you've been waiting for. Our basic Mac-only benchmarks used in our dual review were great at showing how close the CPU performance was, but not great at illustrating the disparity between chunky-hunky 9600 GT and the comparatively weak integrated 9400M that we saw firsthand while playing Spore. With a little time, we've been able to:
• Install Windows XP and run 3D Mark
• Play a little Crysis—yeah, Crysis
• Get ahold of Adobe CS4 and run some rendering jobs
The conclusion? If you're a serious gamer or work with graphics of any kind and you need an Apple laptop, you're gonna want the MacBook Pro. Here are the raw numbers to prove it.
Valley art festivals: Kellie HwangShopping for holiday gifts is not always an easy task, which is one reason generic gift cards are often seen as a solution.
But if you really want to find something unique for your sweetheart or your mother (or yourself), while also enjoying a day out with the family, take in one of these Valley arts festivals:
“This new film with ISO 100 speed, high saturation and ultra-vivid colors offers the finest, smoothest grain of any color negative film available today.”
Why Not Wallpaper?
Digitally printed wall coverings offer a lot of advantages over traditional wallpaper, which helps to drive their growing popularity.
"You can offer short-run customization without the huge expense of setup. Machine printing is extremely expensive in that world, and they have to do larger runs. It's more cost effective to do it digitally. With new technology we now have permanent inks and eco-friendly products - that's a big thing now," says Kirsh...[Aaron Kirsch of Aztek Wallcoverings Inc. uses a UV curable printer similar to ours at Mighty Imaging.]
Traditional wallpaper is more limited in terms of design. With digitally produced murals or wall coverings, the customer and designer can work together to create not just a design but an environment that reflects the look and feel the customer wants.
I am please to announce that I will be exhibiting recent photographs from the US Route 89 project at Saans Gallery in Salt Lake City. The opening of the show is Friday, October 17th, during the Salt Lake City Gallery Stroll from 6 to 9 pm. Included in the exhibit are eight large prints of the 2007 Pictures of the Year and four large prints from my travels in 2008. The show continues through November 15th.
If you live in the Salt Lake City area or are planning to be there next week, I would also like to invite you as a member of the US Route 89 Appreciation Society to a pre-opening event on Thursday, October 16th. I will be in the gallery to talk about the photographs and the US Route 89 project from 7 to 8 pm. I would enjoy meeting any of you who can be there.
Here are links to websites for more information:
James Cowlin's US Route 89 2007 Pictures of the Year: <http://tinyurl.com/2n2tx5>
Saans Downtown: <http://www.saansdowntown.com>
Salt Lake City Gallery Stroll: <http://www.gallerystroll.org>
As always, take the slow road and enjoy your journey as much as the destination.
Jim Cowlin
After leaving the real estate industry a couple of years ago he formed Terry Connett Photography to continue his passion for photographing commercial and residential real estate properties, as well as corporate executives, brokers, and employees, for assignments that include magazine articles, advertising, brochures, company functions, and just about anything in the business world requiring a photograph.
My motive as a photographer is to capture a fleeting moment in the mysteries of the wilds – when nature is at its most intimate and precious state – exposing it for its imperfections, complexities, and rugged power – all while embellishing it for its serenity and incredible beauty.
This program is for all levels of photographers — those who are just starting and those who have been in the business for years and want to take it to the next level. The program is a 2-hour presentation and each participant will receive a "Survivor's Guide." The Guide covers everyday photography business basics to those uncomfortable "what do I do" moments in our industry.
Arrive early for a performance and visit our Art Gallery. Each quarter we feature the creative and inspiring work of Arizona artists. A portion of the proceeds from each piece sold benefits the Herberger Theater Center.The Art Gallery is open for viewing: 10am - 5pm, Monday through Friday through the Box Office, one hour before and during performances (including weekends), by appointment.
For information or to purchase a piece of artwork, contact Laurene Austin at (602) 254-7399 x105
Is the rich-hued Kodachrome era fading to black? - Ben Dobbin, Associated Press
ROCHESTER, N.Y. - It is an elaborately crafted photographic film, extolled for its sharpness, vivid colors and archival durability. Yet die-hard fan Alex Webb is convinced the digital age soon will take his Kodachrome away.
...Only one commercial lab in the world, Dwayne's Photo in Parsons, Kan., still develops Kodachrome, a once ubiquitous brand that has freeze-framed the world in rich but authentic hues since it was introduced in the Great Depression.
Eastman Kodak Co. now makes the slide and motion-picture film in just one 35mm format, and production runs — in which a master sheet nearly a mile long is cut up into more than 20,000 rolls — fall at least a year apart.
Kodak won't say when the last one occurred nor hint at Kodachrome's prospects. Kodachrome stocks currently on sale have a 2009 expiration date. If the machines aren't fired up again, the company might just sell out the remaining supplies, and that would be the end.
Stuart is regarded as the worlds first satellite image artist. His trademark brand of art is instantly recognizable. Two collections form his truly unique body of work. Signatures of Earth are color prints created from visible, infrared, and radar data acquired by NASA's Space Shuttle and the LANDSAT satellite program over the past 20 years.
Stuart's satellite image art goes a step further than maps and photos by adding the aesthetic dimension. His work is modern art at its finest, combining an original theme with the best printing technologies.
Zak Saenz grew up in Westport, Connecticut where he had found a love for photography in his late teens. Being drawn by color and the flow of the objects in his lens he was determined to recreate not only the objects as he saw them, but also the feelings that those objects instilled in him as he captured them.
The Retailer's Guide to Color in Store Design
Color is often underestimated as a marketing tool. That’s right, I said “marketing” tool. Think about it for a second: some of more powerful brand associations you can think of connect through color. UPS: “What Can Brown Do for You?” IBM is “Big Blue.” Home Depot and orange are forever linked.
Coloring Between the Lines
Marketers are merely taking advantage of the fact that we respond strongly to color on a visceral level, reacting and making judgments almost instantly without being aware of it. Here are a couple common associations…
• White: Cleanliness, purity, honesty.
• Red: Vitality, passion, love.
• Blue: Calm, stability, peacefulness.
• Brown: Open, reliable, grounded.
• Orange: Energetic, warm, happy.
Blue vs. Pink
Gender plays a part in color choice. Darker colors or brighter colors seem to appeal more to men than women, while softer or more “ambiguous” colors find a better reception with female clientele. Which particular colors are preferred tend to be tied to culture. It is worth noting that a standard blue is favored by both genders. If your retail space is heavily weighted toward one sex or the other, scheme appropriately.
Beauty retouching is probably one of the most popular application areas in which Adobe Photoshop is used extensively. There are two simple reasons for that. First, Photoshop offers a variety of advanced tools to smooth out skin and hair, optimize body proportions and emphasize some beautiful details. And second, if you have some experience with Photoshop it is easy to learn the basics and quickly produce very impressive and beautiful results.
Of course, beauty-retouching is a quite deceptive art. The masters of Photoshop create illusions which are hard to tell apart — unless you have both a genuine photo and the final result in Photoshop and can directly compare them. In fact, every day we consume perfectly retouched stars and models online and offline which just look different in the real life.
Still, it is not the reason to avoid learning advanced Photoshop techniques for beauty-retouching and study examples of how it is done in practice. The list below presents both image-tutorials as well as video-tutorials. Most examples have a before-vs.-after-comparison and you can follow the modifications with Photoshop step-by-step.
JUST ADDED! Arizona Highways "Fall in Escudilla" Weekend Photography Workshop on Oct. 3-5, 2008
Looking for somewhere new and exciting to photograph magnificent fall colors in Arizona?
Join me as your lead instructor on this exciting 3-day weekend workshop on October 3-5 in the Escudilla Wilderness Area on the eastern side of Arizona. Sponsored by the Arizona Highways Photography Workshops, I will act as your guide through expansive groves of aspens, gambel oaks, and evergreens surrounding the 3rd highest peak in Arizona, the Escudilla Mountain. Uncovering my favorite "secret" locations in the remote Escudilla Wilderness, I'll also share special techniques for capturing stunning images of fall colors.
Cost: $925 per person, with a maximum of 8 students
Includes:
Roundtrip transportation from Phoenix, AZ
2 nights Lodging
All meals
Hands-on, individualized field instruction in a small group setting at little-known locations for picturesque fall colors
For more information or to register, please contact the Arizona Highways Photography Workshops office at (602) 712-2004 or toll free at (888) 790-7042. Space is limited, so be sure to call to reserve your spot today!
Hope to see you on October 3rd!
Full of striking compositions, dramatic still lifes and exquisitely beautiful landscapes, Phoenix Art Museum presents an artistic exploration of Mexico seen through the lens of one of the twentieth century’s most influential photographers, Edward Weston. Edward Weston: Mexico examines a variety of Weston’s early and rare photographs revealing his devotion to the ideals of art, his progression toward the modernist style and his passion for love and life.
This stunning collection of 60 photographs displays the local culture and scenery of Mexico in the 1920s – a rich period for the arts known as the Mexican Renaissance. Weston used a large camera to create technically accomplished black-and-white photos rich in detail and markedly abstract. Mexico allowed him to experiment with new subject matter, such as still lifes and landscapes, making this period one of the most pivotal of his career.
The 42 foot wide Liverpool skyline HDR
You always see people discussing megapixels on forums and what you can print to. People saying they have a 8mp camera and it does A3 nicely. Which is fine for family portraits and things but when a client asks you to produce something 13 meters, 42 feet wide from an 8mp camera you of course say yes. I’ve printed to 1 meter before now without issue. The prints look great. So 13m? Easy. Ok so maybe not easy. You read articles about 50mp Hassleblads with sensors the size of TV’s that people use for advertising, for billboards. You never in your right mind think that you can use a simple mid-range DSLR with only 8mp to produce something 42 feet long and 9 feet high. Never say never though.