
From all of us at Mighty Imaging, thank you for your business in 2008! We would like to extend our best wishes for a peaceful and prosperous New Year. We look forward to fulfilling your printing needs in 2009.
Big Prints. Huge Quality. Gigantic Value.
When it comes to big images, size matters.
This month marks the first official start of Winter -- how appropriate that images of polar bears and stark landscapes will grace the walls of the visitor center gallery at Boyce Thompson Arboretum during January. Pinal County resident and professional photographer Timm Chapman will be featured with a solo exhibition, and he'll also teach a class January 17 for a dozen pre-registered students.
"The Arboretum show will feature a variety of my images including shots from the Lords of the Arctic series which captures the great Polar Bear on the tundra of Northern Canada," said Chapman, whose photography manages to encompass dramatic landscapes -- and also intimate spaces.
High on Blei
Tony Blei of Tony Blei Photography has been in business for three years, but he's actually been photographing people for more than 20. Tony previously was a photojournalist, and he says that experience helped to shape his creativity.
"There's a beauty to photojournalism that often gets missed. The beauty is that you have a steady stream of people to photograph, but very little time to plan. It requires that you think on your feet and be creative," Tony says. "Photojournalists are incredibly creative people who have to solve huge problems on a moment's notice - with no budget."
..."I'll run through walls for my clients. I do whatever it takes to get them what they need. Period." Tony says, "I see my photography as an investment for my clients. The pictures they're hiring me to produce will be used to attract business or sell their products. They deserve a high return on their investment."
When he was a young photographer, Tony photographed an author. "I don't remember his name, but I remember the lesson he taught me: Unless you're at the J.C. Penny Portrait Studio, nobody wants their picture to look like everyone else's. I ended up putting a computer keyboard in the author's hands and posed him as if he were a rock star playing lead guitar. It was great! We each ended up with a picture we loved, and I ended up with a lesson that served me well for more than 20 years."
Living in the western United States I am always surrounded by breathtaking images, just waiting to be photographed. I also have the opportunity to travel and take pictures in places I never dreamed I would visit. I spent several weeks in Australia, photographing the big cities and small towns, the seashores and the rainforests that are brimming with some of the most awe-inspiring images I have ever seen.
I was raised in a very big city and have lived in some very small, remote rural towns.These experiences give me a deep appreciation for the variety the world offers and my photographs reflect that variety. My galleries are filled with pictures of sweeping vistas of unspoiled wide-open spaces, as well as close-up photos of nature's most delicate handiwork. You'll find images taken in some of the world's great cities, along with photographs that capture the uniqueness of tiny towns in out-of-the-way places, and pictures of wide spots in the road where abandoned buildings silently hint at their history.
Do you want peas with your Picasso? -Celine Chen
Her works, the Vegetable museum series, are on show at the Paris Beijing Photo Gallery in the 798 art district from November 23, 2008 until January 24, 2009.
Mixing everyday vegetables such as tofu, cabbage, ginger, lotus roots, coriander and sweet potato, and adding a dash of digital manipulation, Ju presents a puzzling series of vegetable compositions representing world famous paintings like the Mona Lisa and The Last Supper by Leonard Da Vinci, The Dream by Pablo Picasso and Marilyn Monroe by Andy Warhol.
"In the summer of 2006, I bought a few kilograms of peas, and sat there quietly for two days peeling them, before stringing them on a wire and turning them into a skirt, a top, a headdress and a magic wand. I used a remote control to take a photo of myself in them, and named it Pea Beauty Pageant. That was my first work of vegetable art," Ju Duoqi said, recalling her first vegetable composition.
She began to find vegetables, normally associated with household drudgery, more and more interesting. The different types, shapes and colors of the vegetables, with a bit of rearranging, can make for a rich source of imagery. Fresh, withered, rotting, dried, pickled, boiled, fried, they all come out different.
Then she realized that as a photographer, she no longer needed models – she arranged her legumes and took photos of them. "I have found a way of life for women who love the home," Ju said, explaining the theme of her works. Anne Cooper Chen, an American visitor, commented, "These carry a great sense of humor."
Art museum galleries reinstalled - Richard Nilsen
The Phoenix Art Museum has reinstalled its contemporary galleries in the first-floor Katz Wing with a series of "mini-shows."
The large paintings and photographs from the museum's collection, with some loans from some local collectors make this 5-part installation a must-see.
Third gallery features monumental photographs. Unlike the snapshots you are used to, these photos are wall-sized. German artistThomas Struth is the king of this genre. This is his "Pergamon Museum, Berlin" from 2001. Notice how in the gallery it takes up a good chunk of wall. These giant photos are something of a current fad.
Another giant photo is Candida Hofer's "Palacio Nacional de Ajuda Lisboa VII" from 2005. The genre favors images of large public spaces and incredibly sharp detail, so your eye can wander through them, fixing on this or that.
Another large photo is Gregory Crewdson's "Untitled (House on the Road)" from 2002. Although it is a photo, the subject is oddly mysterious and unreal. What is that house doing on that street?