Interview with Art Holeman Part 1

We have worked with Art Holeman for years. We have always admired, not only his photography, but also his work with Through Each Other's Eyes. TEOE is a not-for-profit organization celebrating their 20th anniversary in Arizona. Their goal is to promote international understanding through photography. A very dedicated group of volunteer photographers will take trips in a cultural exchange with a pair of photographers from that native country. Art recently came back from a trip in Mexico and sat down with us to share some of his experiences as well as his inspiration and background in photography.


MI: How did you decide to become a photographer?

Art laughs. "I wanted to be a photographer after seeing the ads in Playboy. When I first subscribed it truly was because of the ads. The lighting and composition intrigued me. When I started photography, I didn't shot people for years. It was the commercial side of photography that inspired me."

MI: Did you have any formal training?

"Yes, I completed a two year program at the Hawkeye Institute of Technology. Prior to that I had life experience shooting what was around me living in Michigan. I wrote to Kodak to inquire if they had a photo school I could attend. They did not, but were kind enough to send me back a booklet of every photo program in the country at the time. I chose Hawkeye Inst. and focused on commercial photography."

MI: Tell us about Through Each Other's Eyes

"I feel fortunate to be a part of that group. There is a board of 20 photographers. I have been a member for 2 years. I, along with Colleen Miniuk-Sperry, just completed our cultural exchange to both Japan and Mexico." Art adds, " One of the most important things that is required is if you can live with your fellow photographer on the road for a week. Colleen is very easy to get along with. I would travel with Colleen any time." He then smiles as he divulges, "Colleen loves to get up for sunrise shots."

Check back for part two of the interview where Art talks more about his experience traveling to Mexico and Japan for TEOE.

Wallpaper is back - and you may not recognize it

We have seen a resurgence in the usage in wallpaper lately. With the ability to print directly from a digital file, interior designers, photographers, or any creative soul can now see their vision realized in a big way. Many designers are using this technique with an accent wall of a custom motif created specifically for that space. Although this article highlights ready to sell wallpaper designed by specific artisans, anyone can achieve a similar look and get it printed for about half the price as a prefabricated product.

Wallpaper is back and design-forward: Distributed by McClatchy Newspapers

Wallpaper was a booming industry for years until the late 1990s, when it fell out of fashion as faux paint finishes came roaring onto the interior-decorating scene. Floral patterns and fruit borders were no longer innovative.

Wallpaper looked tired.

But fear not, people: Wallpaper is back. But it's different -- so different, you might not recognize it. (Full disclosure: My husband is a wallpaper hanger, so some of my evidence is firsthand.)

Accent Design Studio in Fort Worth, Texas, has seen a big increase in the use of wallpaper in its interior designs in the past two years. And it's because the new papers really complement the faux-paint walls. "It may cost 40 percent more to wallpaper a room than paint it, but the impact is worth it," Accent co-owner Cindy Peck says.

Popular TV designer Candice Olson, host of HGTV's "Divine Design," wallpapers an accent wall in many of her designs and is helping to make wallpaper hip again. She started her own line of wallpaper, available through York Wallcoverings, a year and a half ago. Olson's new collection comes out in December.

Consider these emerging trends:

PHOTOGRAPHIC IMAGERY

When I saw this wallpaper, it took my breath away. It's absolutely a piece of art. Trove is a wallpaper studio based in New York. It uses photographic imagery to create depth in large-scale prints. This pattern, Indi, inspired by Alfred Hitchcock's "The Birds," is simply stunning. Roll width is 35.5 inches, $16 per square foot. The image featured is 12 feet high by 6 feet wide.

Trove, under the direction of Jee Levin and Randall Buck, began with images inspired by the 100-year-old flower market in the middle of Manhattan. The studio uses natural elements as the basis of its designs. Serendipitous, too, that the paper itself is eco-friendly and recyclable. Learn more at www.troveline.com.

Lighting Essentials' photo contest

Don Giannatti at Lighting Essentials is starting up a monthly photo contest. This is the first month, and it looks like there are already some great submissions. This month's assignment is portraits in an environment; "Show the subject’s relationship to the environment". We are one of the sponsors by offering the second place winner with a free 16x20 glossy print. We are excited to see who wins!

You have until February 28th to submit images if you are interested. Please check out Lighting Essentials for all of the contest rules and details.

We have a wonderful sponsor, BorrowLenses.com and they will be awarding a grand prize of a weeks rental of any of their great photographic gear. Our wonderful sponsor, Mighty Imaging will be presenting a free 16×20 for second place and our third place will receive the Lighting Essentials 1 DVD.

Mighty Imaging featured in The Big Picture Magazine

In the February 2009 issue of The Big Picture Magazine, their feature article focused on the 'art' of fine-art printing. Mighty Imaging was honored to be asked to share some of our ideas and techniques that have made fine-art printing a successful venture for us. Our many thanks to Clare Baker, who wrote the article, and to The Big Picture Magazine for asking us to participate.

The Big Picture does not post their magazine on line. Here are some excerpt from the article.

Fine Art from All Angles - Clare Baker

It's safe to say that fine-art printing is not for everyone, regardless of whether you've been in the business of wide-format printing for just months or you've spent dozens of years in the output arena. Besides the printer, media, and inks required for fine-art printmaking, the print provider must devise and accurate proofing process, be sensitive to the needs of fine-artists, and, of course, cultivate a viable client base, all of which can be a pricey and time-consuming undertaking. Fine-art printing, one might say, is an art within itself.


Mighty Imaging (mightyimaging.com), in Phoenix, also serves a more commercial demographic. Owner Peter Fradin says that his shop, which opened in 2005, serves those "who need the very best imaging on a large scale." He elaborates, "I felt that the large-format channel was being filled by sign shops and repro houses rather than true masters of color and printing, to detriment of fine art, high-end retail display, and interior design." His clients range from graphic designers "whose passion and vision get lost without high-quality output"; national Web-based companies with products that require printing and shipping; corporate wall-art programs that produce artwork and murals for lobbies, offices, conference rooms, and board rooms; architects and interior designers; and rounding out his client base, photographers and fine-artists. "I try to be solution-based when making a sale," says Fradin. "We are constantly bringing fresh ideas to market...At the end of the day [our shop is prepared] to produce all types of graphics and prints."


Looking Ahead

If you're still only in the deciding or planning stages of adding fine-art printing capabilities to your shop, it would not be surprising if you're hesitant to do so given the current economic climate. Even the most successful print providers are probably feeling their business soften as the economy continues to slow. While only you can judge what is best for your shop, the shops we spoke with are finding unique ways to keep as well as find business during these times.

Mighty Imaging's Fradin, for instance, has settled on an arguably bullish way to deal with the slowing markets: "We have decided not to participate in the recession," he jokes. Despite what he acknowledges as trying times, he's doubling the shop's marketing efforts in hopes of identifying those artists and businesses that are looking for a higher level of quality from their current large-format fine-art print provider. "We're in the process of acquiring the best technology and latest equipment to make those folks' vision a reality," he says. "I know I'm incurring a great risk right now in trying to grow my business in the current economic environment-but as I see it, if our efforts here don't make our customers money, then we really haven't done our job."

We were also flattered that they selected an image of work we have done for Stuart Anthony Black of the PANGEA Gallery to illustrate their point for the article.

Try and Find a Battery It Can’t Charge

Since there is no more football, you may decide to grab the digital camera and head up North to get some cool winter shots. Unless your digital camera is fully charged you could be left “out in the cold”.

What really is a drag is whether it’s your camcorder, cell phone or digital camera each of the batteries differ in shape and size and require their own dedicated charger. Well, the good folks at Lenmar have addressed this multiple charger dilemma with its PowerPort Clip universal charger.

The small charger uses adjustable contact points that can adapt itself to almost any battery. After the contacts have been set, users slide the battery under the clasp and plug the PowerPort Clip into any standard USB port using the built in, swiveling conector. And since it’s self contained there are no wires to untangle.

It is very simple to use and features technology that not only extends the stand time and durability of your batteries but since it uses less power than all other alternatives, you can be “Green” while doing so. To learn more about this outstanding product just check them out at lenmar.com.

Sometimes I dig being out in nature alone, but this is one travel companion that’s coming along for the ride!

2009 Arizona Fine Art Expo

Springtime in Arizona means there are lots of events to attend. We just finished the Barrett Jackson Car Auction, the FBR Open, and in a couple weeks Phoenix will be hosting the NBA All-Star Game. If cars and sports are not your thing, there is also the 5th annual Arizona Fine Art Expo being held in Scottsdale.

The 44,000 square foot tented event features 100 artists, from photographers, painters, jewelry makers, woodworkers, and sculptors. You can get up close and personal to the artists and their process. Many will be creating pieces at the event as well as offering classes that you can attend for an extra fee. They also have a 2 acre sculpture garden with a koi pond and a butterfly exhibit. Dogs are even welcome to come along! It sounds like a great time. The Expo will be open until March 29, 2009. For more information check out their site.

Meet 100 nationally acclaimed and award-winning artists passionately creating artwork inside or in the outdoor working cabanas. The Arizona Fine Art EXPO brings you seventy-four continuous days of spectacular art adventure!

Linda Connor exhibit at the PAM

Since their remodel in 2006, the Norton Gallery at the Phoenix Art Museum has been home to some fantastic photographic exhibits. Their latest installment is the photography of Linda Connor. Linda uses a large format 8x10 view camera to capture her images and then does a direct contact print exposing them with sunlight in her garden. The prints are also toned with gold chloride that adds an inherent luminosity.

If you visit the museum on Tuesday evenings you can get in to see it for free! The museum offers free general admission every Tuesday from 3-9 PM as well as every First Friday from 6-10 PM. Odyssey: The Photography of Linda Connor will be open until March 8, 2009.

Traveling around the world, contemporary photographer Linda Connor seeks places and traditions that convey such intangible qualities as time, faith, and spirituality. Her photographs connect these ethereal concepts to specific locales and to the natural world. She has worked extensively in India, Indonesia, Turkey, Cambodia, Egypt, Tibet, and the American Southwest. Included in the exhibition of more than 70 photographs are some of Connor’s best known images from the past three decades, along with more recent works that have had little public exposure.

Advertising in slower economic times

It is seems to be all anyone can talk about now, the economy. Many companies have made hard decisions and sacrifices to tighten their finances. However, tightening the belt on your advertising budget may be the wrong move. Companies that keep their advertising dollars consistent during a slower economy are the ones that come out ahead when the tide turns. Alternatively, in slower economic times consumers tend to stay close to home. That includes where they spend their money. Consumers may be more likely to spend their dollars with a neighboring business to help stimulate their local economy.

What strategies can you utilize to help maximize your advertising dollar? Here are a couple of suggestions:

• Use eye-level graphics in your environment by printing large format photos, backlit signage, or window graphics. Sandwich boards printed direct to a variety of substrates is another great option. Customers are pretty much guaranteed to notice advertising placed at eye-level.
  
  
• Look up. Space above eye-level can be utilized with banners, fabric flags, or wallpaper murals. This type of marketing can reinforce your main marketing imagery and attract a broader audience to your business. The trick with any these options is to create unique graphics to set your marketing message apart from your competition.

Effectively executed, your company can position itself to stand out and become more memorable in a less crowded advertising environment. It is important to keep looking ahead and use this time as a great opportunity to communicate your message. Contact a Mighty Imaging representative to find out how we can help.

Obama's People in New York Times Magazine

In honor of Obama's historic inauguration tomorrow, the New York Times Magazine asked Nadav Kander to take on an ambitious project of photographing portraits of Obama's new cabinet appointees and members of his staff that played a vital role in his election and transition in to office. Their goal was to go beyond the usual formal portrait shoot and integrate aspects in to the images that speak to the true nature of the subjects. From Senator Robert P. Casey Jr. holding a basketball to Ken Salazar's cowboy hat, the final 52 images will make up the largest collection by one photographer that the New York Times has ever published. Many people are holding the now infamous Blackberries that have been widely reported as being such an integral part of Obama's communication through out his campaign and transition.

Go here to see all of the images, and to listen to a the photographer Nadav Kander and Times Magazine Director of Photography Kathy Ryan discuss the project.

Behind Obama's People - Editor's Letter by Gerald Marzoratti

EARLY IN 1976, with both the post-Watergate presidential election and the bicentennial celebration in mind, Rolling Stone approached Richard Avedon, America’s most celebrated portrait photographer of the time, with the idea of spending the year shooting pictures on the campaign trail. Avedon had other ideas, or, better, a bigger idea: To photograph the men and women he understood to constitute the political leadership of the United States. The result, published in Rolling Stone’s Oct. 21, 1976, issue and taking up the entire feature well of the magazine, was a portfolio of 73 black-and-white portraits — formal, frank in a stylized way and, page after page after page, thoroughly absorbing.

It was with that project very much in mind that The Times Magazine asked Nadav Kander — one of the more original and highly regarded portraitists at work just now — if he would like to photograph the administration of Barack Obama as it was being assembled. We, like many of our readers — like most Americans, it seems fair to say — sensed something eventful and potentially far-reaching about the election and the challenges the new president and his team would immediately face. Why not take account of this with portraits of those whose character and temperament and bearing may well prove consequential in the coming months and years?

The result is what we have titled “Obama’s People” — 52 full-page color portraits of the vice president-elect and the incoming president’s advisers, aides and cabinet secretaries-designate (some of whom may have been confirmed or may have withdrawn by the time you read this), along with those legislators who are likely to prove influential in helping to usher into law what the new administration sets out to do. (President-elect Obama declined to pose for a formal picture.) The portraits were taken in mid-December and earlier this month in Chicago and Washington. The magazine’s editor of photography, Kathy Ryan, along with two members of her staff, Kira Pollack and Stacey Baker, organized and oversaw the sessions. (To get a glimpse behind the camera, see the magazine’s back page.) Matt Bai, who has been the magazine’s chief political writer through the last two presidential-election cycles, drew up the list of whom to photograph and also wrote the elegant essay that serves as an overture to the issue and the moment. But Kander’s portfolio was never intended to be any sort of definitive representation of who mattered in and around the White House at the dawn of the Obama era. That will be the job of history. Kander was shooting in the conditional.

Interview with Tyson Crosbie

Tyson Crosbie was recently interviewed by MyArtSpace, a premier site dedicated to contemporary art and artisans. Tyson reveals some of the motivations behind why he became a fine art photographer, his influences, and his process. He also provides some great insight on the power and potential pitfalls associated with online marketing for artists. Below is a sampling of the interview.

#3 of Tyson's Phoenix 20 series

Art Space Talk: Tyson Crosbie

BS: Tell us more about the thoughts behind your work. For example, do you adhere to a specific school of psychology or philosophy as far as your practice is concerned?

TC: Nearly ten years is not enough time to develop any clear understanding of the meaning of anything. I am not so sure I'll ever reach any clear understanding, I can speak to where I am now.

I view my work as an evolution, the most important image I've ever made is the next one. It is my goal to create a lifetime body of work that evolves as I do that is recognizable visually as a journey of a life. The first abstracts that I took in school were exercises in composition and theory. What I call the Mexico series was when I became self aware as an artist. Following that the early work is when my language really starts to develop and refine. My most recent work is confined by rules and language and far more complex and yet the subtleties of information that I can contain in the imagery fascinates me.

Of course it is my obsession to observe the world, this ties me to the medium of photography intimately. Still I am drawn to contradictions like; Creating work as a purist, a traditionalist and using digital media. Loving observation and information as a scientist and an artist. Believing that I am solipsistic and an existentialist and an egoist at times.

More resolution = less noise

Most photographers realize that the more resolution your camera captures, the better. How does that relate to noise in your image? Especially when it goes to print. DxO Labs has the answer. They did an independent complete analysis of signal-to-noise ratio (aka SNR) with two Canon model cameras. The results might surprise some people.

DxO is a free resource that offers non-biased in-depth technical analysis of RAW-based image quality. There is a wealth of data on their site. They are highly recommended by places like Popular Photography.

Contrary to conventional wisdom, higher resolution actually compensates for noise

This Insight uses currently-available DSLRs to demonstrate the technique for objectively comparing noise for cameras with different levels of resolution. Such comparisons conclusively show better results overall for high-resolution sensors, despite the increase in noise.

You like the look and feel of your old camera, but you want to upgrade it to a higher resolution. If you keep the same optics, the same sensor size (and therefore the same field of view), what will be the result? Basically, the same amount of light captured by the optics will be shared by more pixels, and since each individual pixel will receive less light, the signal-to-noise ratio (SNR) will be lower. In short, you will end up taking photos with more noise.

Two questions naturally arise:

• How can the noise from two cameras with different levels of resolution be fairly compared?
• Which is better, a low-resolution camera with less noise, or a high-resolution camera with more noise?

...Suppose now that the images have exactly the same field of view (by changing the lens focal length) and are printed on 30x20cm paper with the same 300dpi printer. Because of the very high resolution of the 1Ds Mark III, the printer will downsample the image and decrease the noise, giving a clear advantage (about 3dB) to the 1Ds Mark III.

Imagine a low-resolution sensor. A higher-resolution sensor can be obtained by cutting each pixel of the low-resolution sensor into four smaller pixels.

For a given exposure time, each smaller pixel receives four times less light than a large pixel-the equivalent of reducing exposure time by a factor of four. So to get the same sensor response, exposure time needs to be multiplied by four, which means that the ISO sensitivity of the high-resolution sensor is four times less than the low-resolution sensor.

Imaging USA Convention & Expo this weekend

The PPA, SEPCON, EPIC, and CPI jointly are hosting Imaging USA Convention and Expo this year right here in Phoenix. Besides the numerous educational classes that they offer, they are also holding one of the largest photo industry tradeshows of the year. Over 223,000 square feet of floorspace will be dedicated to the event at the newly re-built Phoenix Convention Center. Classes start tomorrow, and the Imaging Expo tradeshow starts on Sunday. The entire event runs through Tuesday January 13th. World-renowned photographer Anne Geddes will be giving the keynote talk on the evening of January 12th.

There is still time to sign up if you would like to see the latest and greatest in photo world. Hope to see you there!

We're not just serious about photography; we're serious about your business. Start your year off right at Imaging USA - it's the best place for you to ignite the energy and passion for doing what you love, while learning how to grow your business, push the boundaries, and gain an edge over the competition. Don't miss:

• An Evening with Anne Geddes
• Unbeatable Pre-Convention Classes
• World-Class Instructors, 5 Program Tracks + 3 Conferences
• 223,000 sq. ft. Tradeshow

Watson Lake workshop with Colleen Miniuk-Sperry

Colleen Miniuk-Sperry will be leading an Arizona Highways workshop at the end of January. Her latest workshop will be on location at Watson Lake near Prescott, Arizona. It is a weekend workshop January 31-February 1. The groups are kept small so that each attendee can receive personal attention. There are only two more spots left for this workshop. If you are interested, sign up today!

Join photographer Colleen Miniuk-Sperry on an exciting weekend workshop, as she guides you around the sparkling blue waters & impressive jumbo rocks of Watson Lake near Prescott, Arizona. While Colleen uncovers her favorite locations around Watson Lake & the Granite Dells, learn special techniques for capturing stunning nature photographs.

The cost is $380 per person, which includes:
o 1 night lodging in Prescott, AZ
o Lunches, dinner, and snacks
o Hands-on, individualized field instruction for all skill levels at scenic locations around Watson Lake

For more information, visit http://friendsofazhighways.com/calendar.htm & select the “Watson Lake” workshop listing.

Happy New Year!

From all of us at Mighty Imaging, thank you for your business in 2008! We would like to extend our best wishes for a peaceful and prosperous New Year. We look forward to fulfilling your printing needs in 2009.

Timm Chapman exhibit at Boyce Thompson Arboretum

Boyce Thompson Arboretum is a 32 acre oasis located due East of Phoenix in Superior, Arizona. Their goal is to instill an appreciation for plants through research, conservation, and education. They also have an active art program in their visitor center. Each month they feature the work of a new artist. In January, it will be the photography of Timm Chapman.

Timm's polar bear images entitled Lords of the Arctic will be on display the entire month of January. His shots are gorgeous, and also thought provoking. They highlight the beauty of these majestic creatures, and also their struggle for survival in a shrinking environment. Timm generously donates a portion of each sale from this collection to Polar Bears International.

Timm will also be leading a 3 hour 'texture walk' at the arboretum on January 17th. He will be talking about photography techniques and offering tips on how to improve composition and utilize the natural textures of desert plant life. Contact Boyce Thompson Arboretum if you wish to attend.

This month marks the first official start of Winter -- how appropriate that images of polar bears and stark landscapes will grace the walls of the visitor center gallery at Boyce Thompson Arboretum during January. Pinal County resident and professional photographer Timm Chapman will be featured with a solo exhibition, and he'll also teach a class January 17 for a dozen pre-registered students.

"The Arboretum show will feature a variety of my images including shots from the Lords of the Arctic series which captures the great Polar Bear on the tundra of Northern Canada," said Chapman, whose photography manages to encompass dramatic landscapes -- and also intimate spaces.

Happy holidays!

No matter what you celebrate, this time of year is a chance to reflect and appreciate the good things in life. From all of us at Mighty Imaging we wish you a happy, healthy, and safe holiday!

If you are in need of something to do over the weekend, Arizona Central has a listing of holiday light displays through out the Valley. Make sure to bring your camera!

Tony Blei featured in Southwest Graphics Magazine

We have known for some time that Tony Blei is an amazing photographer. Tony was one of the first artists in our Shop for Art gallery. We were happy to see that in the Winter 2008 addition of Southwest Graphics Magazine, they gave Tony the chance to talk about his passion for photography and some of the reasons behind his success. Tony has had a extensive career shooting a variety of subjects, including six U.S. presidents.

Southwest Graphics does not publish their magazine on their website. Excerpts of the article are available here.

High on Blei

Tony Blei of Tony Blei Photography has been in business for three years, but he's actually been photographing people for more than 20. Tony previously was a photojournalist, and he says that experience helped to shape his creativity.

"There's a beauty to photojournalism that often gets missed. The beauty is that you have a steady stream of people to photograph, but very little time to plan. It requires that you think on your feet and be creative," Tony says. "Photojournalists are incredibly creative people who have to solve huge problems on a moment's notice - with no budget."

..."I'll run through walls for my clients. I do whatever it takes to get them what they need. Period." Tony says, "I see my photography as an investment for my clients. The pictures they're hiring me to produce will be used to attract business or sell their products. They deserve a high return on their investment."

When he was a young photographer, Tony photographed an author. "I don't remember his name, but I remember the lesson he taught me: Unless you're at the J.C. Penny Portrait Studio, nobody wants their picture to look like everyone else's. I ended up putting a computer keyboard in the author's hands and posed him as if he were a rock star playing lead guitar. It was great! We each ended up with a picture we loved, and I ended up with a lesson that served me well for more than 20 years."

Gus Koernig's art added to Mighty Imaging

Gus Koernig started out his career working in front of a camera as a TV journalist. He now enjoys his time behind a camera as a photographer. He has some beautiful images of the West as well as from his journeys around the globe. All of which are now available in his gallery as part of our Shop for Art program. We are pleased to be able to offer Gus' prints to the collection.

Living in the western United States I am always surrounded by breathtaking images, just waiting to be photographed. I also have the opportunity to travel and take pictures in places I never dreamed I would visit. I spent several weeks in Australia, photographing the big cities and small towns, the seashores and the rainforests that are brimming with some of the most awe-inspiring images I have ever seen.

I was raised in a very big city and have lived in some very small, remote rural towns. These experiences give me a deep appreciation for the variety the world offers and my photographs reflect that variety. My galleries are filled with pictures of sweeping vistas of unspoiled wide-open spaces, as well as close-up photos of nature's most delicate handiwork. You'll find images taken in some of the world's great cities, along with photographs that capture the uniqueness of tiny towns in out-of-the-way places, and pictures of wide spots in the road where abandoned buildings silently hint at their history.

Add a little colour to your design

Colour Lovers is a site dedicated to color and its use in design, marketing trends, and art. They have over 160,000 users who post color palettes dissected and extracted from such subjects as crayons, national brand logos, and even fall leaves. They watch market trends of popular color usage in logo, web design, fashion, you name it. They even have a post that shows a side by side comparison of what a color blind person sees next to the original artwork.

Users post patterns and palettes inspired by vintage fabric, masterpieces by famous artists, or just a season of the year. Each provides the RGB number equivalent to be able to easily utilize it yourself. Many of the patterns available for download could be a great start in designing your own personal digital fabric or wallpaper.

It is a wealth of information and inspiration for any designer. Likewise, people in the marketing and advertising industry can learn what colors have been successful for other big name companies when developing their campaign or brand. A great site, worth spending some time exploring.

Vegetable art by Ju Duoqi

Ju Duoqi is a Chinese artist who uses vegetables as her models to recreate recognizable masterpieces by artists like Van Gogh, Picasso, and Warhol. She uses digital photography, with a little help from Photoshop, to recreate each scene. Her images are printed large to allow the viewer to examine the amazing effort and detail put in to each recreation.

Ju can be seen here with her work "Vincent Van Gogh Made of Leek". Her show entitled "The Vegetable Museum" is on exhibition at Paris-Beijing Photo Gallery II in Beijing until January of 2009. To see more of Duoqi's exhibit, take a look at this slide show.

Do you want peas with your Picasso? -Celine Chen

Her works, the Vegetable museum series, are on show at the Paris Beijing Photo Gallery in the 798 art district from November 23, 2008 until January 24, 2009.

Mixing everyday vegetables such as tofu, cabbage, ginger, lotus roots, coriander and sweet potato, and adding a dash of digital manipulation, Ju presents a puzzling series of vegetable compositions representing world famous paintings like the Mona Lisa and The Last Supper by Leonard Da Vinci, The Dream by Pablo Picasso and Marilyn Monroe by Andy Warhol.

"In the summer of 2006, I bought a few kilograms of peas, and sat there quietly for two days peeling them, before stringing them on a wire and turning them into a skirt, a top, a headdress and a magic wand. I used a remote control to take a photo of myself in them, and named it Pea Beauty Pageant. That was my first work of vegetable art," Ju Duoqi said, recalling her first vegetable composition.

She began to find vegetables, normally associated with household drudgery, more and more interesting. The different types, shapes and colors of the vegetables, with a bit of rearranging, can make for a rich source of imagery. Fresh, withered, rotting, dried, pickled, boiled, fried, they all come out different.

Then she realized that as a photographer, she no longer needed models – she arranged her legumes and took photos of them. "I have found a way of life for women who love the home," Ju said, explaining the theme of her works. Anne Cooper Chen, an American visitor, commented, "These carry a great sense of humor."